Direkt zum Hauptbereich


Haptik am User Interface - Interfacedesign in der zeitgenössischen Medienkunst zwischen Sinnlichkeit und Schmerz

Haptics at the User Interface - Interface design in contemporary media art between sensuality and pain

Media art works combine knowledge from different disciplines of research and art. This exchange of technical or even scientific research knowledge is an important part of the creative work of media artists. Sebastian Sprenger describes the creative executions in interface design and touch in art. He explores the question of the technical, art-theoretical, media-theoretical and -philosophical significance of the haptic touch of technical or artificial surfaces. It becomes clear that both the history of media art and the interdisciplinary development of the individual works bear witness to the process-oriented knowledge of the arts.


Beliebte Posts aus diesem Blog

Contribution for the Ars Electronica Festival, Linz/Austria, 8.-12. September 2021,  https://ars.electronica.art/ Manifestic manual and scribbles on 50g paper, Edition 200, for the Moody ®  as part of the Exciting Research of Jo Caimo, Jorge Guevara and Pieter-Jan Beeckman https://excitingresearch.io https://jocaimo.blogspot.com/2018/01/exciting-research.html https://jorgeguevara.myportfolio.com/exciting-research https://fgmnts.be  
Interactive work Presented at Sankt Interface 2020 Virtual Space gather.town 4th December 2020 Interface Culture Department at University of Art and Industrial Design, Linz Video "Kidnapping Kit"  
https://werkraumbildundsinn.de/publikationen/jahrbuch-2020 Jahrbuch 2020 / Yearbook 2020, werkraum bild und sinn e.V. Magazine design and prepress Additional own contribution: Vampirtaxonomie 2020, Bestiarium 2020 Cover design: Peter Schloss,  https://www.peter-schloss.de